Honouring Mining’s Past, Building Its Future: Avalon Supports Frank Grimshaw’s Pitmen
By: Avalon Advanced Materials Inc.
At Avalon, we believe mining’s story is not just about the materials produced, but about the people and communities whose hard work has shaped the industry. This past May, our CEO, Scott Monteith, had the privilege of attending Pitmen, a powerful exhibition by photographer Frank Grimshaw that captures the resilience, sacrifice, and spirit of mining families. The exhibition left a lasting impression — a reminder of why honouring the human side of mining is essential as we build the next generation of critical mineral projects.
That impression deepened as we learned more about the story behind Pitmen and the journey that inspired Grimshaw to create it. Frank Grimshaw worked as a mining photographer in the North West of England from the late 1950s to the early 1970s. His career took him into a wide range of mines — from a 19th-century drift mine to what was then Europe’s most modern mine in the 1960s. Beyond documenting industrial operations, he was drawn to capture the lives of miners as fathers, friends, and neighbours whose efforts sustained entire communities. His body of work bridges history, memory, and artistry.
Grimshaw’s photographs give voice to the everyday experiences of miners — their labour, camaraderie, and the significant role they played in community life. For Avalon, these stories resonate deeply. As we work toward developing projects to support the clean energy transition, we remain mindful that mining’s legacy is carried forward by the people who made it possible. Recognizing this history strengthens our commitment to building a sustainable and responsible future for mining in Canada and North America as a whole.
This connection between past and future is also reflected in the printing processes used for the exhibition. The photographs were printed by Silver Shack in Toronto, one of Canada’s leading fine art photographic printers. Silver Shack employs traditional methods that incorporate a wide range of rare earth elements (REEs) to produce permanent prints designed to last more than 500 years. The colour images use 19th-century techniques — Tricolor Gum Bicarbonate over Palladium — while also incorporating other REE’s and materials such as gold and coal dust. The black-and-white images were printed on silver gelatin paper. These methods underscore the physical connection between the art and the very resources that miners dedicated their lives to extracting. As printer Bob Carnie noted: “…as you can see, without the mining industry there would be no photographic process.”
We are proud to showcase and support Grimshaw’s Pitmen as a reminder of the humanity at the heart of our industry. Art like this ensures that the voices of past generations remain part of the conversation as we look ahead. We encourage everyone to explore Frank Grimshaw’s work and reflect on the enduring connection between mining, culture, and community.
Further information is available from the Estate of Frank Grimshaw (contact: Jeremy Grimshaw at jgrimshaw2@mac.com) or Silvershack (contact: Bob Carnie at bob@silvershack.ca).